Last night I was there. Well, thousands of us were. The National Theatre broadcast it's new production of
Phaedra, fluffs and all, live across the country. Luck on my side, I snagged a rebound ticket for a sold out screening.
Thus, your honourable reporter slunk off to Didsbury Cineworld, a multiplex hell fixed in South Manchester. Usually catering to the blockbuster crowd, for one night only the audience had been dipped in blue rinse. The unease was palpable; wall-eyed receptionists squirmed as a theatre audience, all slacks and self-regard, descended on this bastion of bad taste, marching past hoardings for 'Ice Age 3' on the way to their classical fix.
So. A first. 'Live' theatre, like the television of old. Did it work? Heck yes. The stagey acting took a while to adjust to, and the volume fluctuated as technicians at the NT end fretted over all that back row projecting. BUT this was exciting, raw stuff. The tension bound fast, mounting industrial roars meeting each new melodrama. Theseus had a voice like Kendall cake, Northern and rich as Thames slurry. Dominic Cooper was a walking pout. Dame Mirren? She delivered the neediest, wailiest queen since...well, the last one.
A bold, succesful experiment and one I'd like to see fast repeated.